Parts of the Earth
Shooting with a 4x5 Graflex was grueling: loading film holders, later developing over 150 sheets of film, wrangling heavy taxidermy, and coaxing models into harmony. The Miami shoot, surrounded by hundreds of creatures in late summer, nearly broke me—until shade and support carried me through.
What began as a spark—beautiful girls with sticks and moss—evolved into "Parts of the Earth" a Fine Art Photography Collection featuring taxidermy wild animals. Over a year, I poured myself into this project, driven by a message I felt compelled to share. It was a roller coaster: early wins with award-winning portraits like "Refuge" gave way to dry spells where animals were nowhere to be found.